Monday, December 25, 2017

Merry Christmas!


I hope you all have a wonderful Christmas! I am relaxing with my family and relieved that this chaotic shopping season is over.


Music is such a huge part of the holiday season- what does your Christmas playlist look like? Comment below!

And be sure to check out my favorite Christmas punk song here:

https://trebleteddy.blogspot.com/2017/12/have-yourself-angsty-little-christmas_4.html?m=1

Sunday, December 24, 2017

Have Yourself An Angsty Little Christmas


If you're anything like me, you have a whole playlist of Christmas songs to blast during this glorious (and hectic) time of year. And, if you couldn't already tell from reading this blog's bio, I'm addicted to angsty music. So my playlist has everything from My Chemical Romance's cover of All I Want For Christmas Is You to Fall Out Boy's original acoustic Christmas banger Yule Shoot Your Eye Out. Luckily, there are albums like Punk Goes Christmas and. A Santa Cause: It's A Punk Rawk Christmas to get people like me through the holidays. But there is one song that I listen to every year without fail that does not get the recognition it deserves.



One Light Out's Oh Holy Night.

https://youtu.be/kaULze_2srI



This song. This song right here is pure gold. A perfect punk rendition of the classic O Holy Night. It's so perfect, in fact, that it almost brings tears to my eyes. I accidentally stumbled upon it on YouTube maybe 6 years ago, and it has been a staple in my Christmas playlist ever since.



I would tell you to do yourself a favor and buy the damn song because it's well worth it (you can read my rant about buying music here: https://trebleteddy.blogspot.com/2017/12/why-you-need-to-buy-music.html), but I can't seem to find it available for download as a single anywhere (even the album it's on, Harder. Faster. That's What She Said, isn't available aside from a few used copies selling for way too much money). I bought the song on Amazon a few years ago, but it seems to have vanished from the site. It's painfully obscure. Luckily, it's on YouTube and Spotify, so you can bring a little more angst into your Christmas.



And with that said, have yourself an angsty little Christmas!











Saturday, December 23, 2017

Why You Need To Buy Music


We live in the digital age, which is both a blessing and a curse for the music industry (and society as a whole). On the one hand, we have nearly unlimited access to an inordinate amount of music, and independent artists have a platform to showcase their talent without a record label. But on the other hand, the sheer volume of music available on streaming services and the ease with which music can be pirated has seem to have brought an end to the necessity and joy of buying music. Consumers now have the mindset of “why buy this when I could just get it for free?”.

Well, I’m here to tell you why: you buy music to support the artists. They are living, breathing human beings that need to support themselves (ditto for whoever owns the rights to the music of deceased artists). Songs aren’t written by machines (but if they were, London would beckon for them apparently). Though one could argue that the corporate entities that write a lot of the Top 40 stuff are effectively machines- but that topic is best left for another day. My point is that for many, being a musician is not just a hobby. It’s a livelihood. Musicians deserve a return on the art they work so hard to make. Your duty as a fan is to support the artists you revere by buying their music and merch, attending their shows, and spreading the word so that their fanbase can grow. This is especially important for independent artists who aren’t backed by a label. So, take an active role as a fan. Introduce your friends to your music. Buy albums, merch, and concert tickets to give as gifts. Actively promote your favorite artists on social media- especially if they are not well-known yet. Show them your support and gratitude for all that they do, because they work incredibly hard for their art.

Yes, we’re all guilty of listening to music for free on the internet. It’s a great resource. Most of us have probably even pirated music at some point in our lives (some bands even encourage it!). While it’s true that some artists don’t make much money from selling albums due to their recording contracts, many artists you will come across on the web are independent artists who are not part of a record label (or if they are, it’s a small label). These are the artists that are doing it all themselves: recording, promotion, booking gigs, etc. They put everything they have into what they do. And for what? To ripped off by “fans”? Perhaps people think that because music itself is intangible, it does not deserve to be bought. This could not be further from the truth. Tangibility and worth are two separate things; quality is quality, whether you can hold it in your hand or not. And isn’t that what CDs and vinyls are for anyway?

Oh, and for the love of God, please don’t use Spotify and crap like that- artists only make about $.006 cents per play. Or if you absolutely must pay for a streaming service, at the very least don’t treat it as a substitute for actually buying music and supporting your favorite artists. And, if money is tight and you only have a limited amount of money to spend on music (don’t we all?), try to use that designated money to specifically support independent artists who are not part of a major label. They need every sale they can get, and as an active fan you can directly contribute to their success and help them gain recognition.

So, if you love the music you’re listening to, please buy it and support the artists so that they can continue to make more great music (and, you know, feed themselves). And, of course, go to their concerts, rock their merch, and be a proud fan.

Speaking of supporting independent artists, please take the time to check out Get Off My Lawn Records, a co-op of artists pooling their resources to make cool stuff! Get 10% anything in their catalog by using the code ninja1.


What’s your opinion on buying music? Comment below!


Friday, December 22, 2017

Black Violin: A Genre-Smashing Duo

Black Violin is a hip hop duo comprised of violinist Kevin Sylvester and violist/vocalist Wilner Baptiste, known by their stage names Kev Marcus and Wil B. Hailing from Florida, what sets this classically trained duo apart from other hip hop acts is their emphasis on weaving classical themes with hip hop beats. Their eclectic synthesis of classical, hip hop, rock, and pop genres make their performances nothing short of jaw-dropping. And, importantly, they are successfully able to recreate their on-stage magic in the studio as well. Their third and most recent album, Stereotypes, which dropped in 2015, is their boldest recorded attempt yet. Featuring their unique brand of classical themes laid over electronic beats, this raw and honest album also showcases the talents of guest artists Pharoahe Monch, Melanie Fiona, Black Thought, Robert Glasser, and Kandace Spring. Tracks showcasing passionate vocals and expressive instrumentals combined with the ebbing and flowing of upbeat and somber elements make this album a unique musical journey that you have to hear to believe. The two have been in Black Violin for nearly fourteen years, and don't show signs of stopping anytime soon. Their fresh take on hip hop not only goes to show that classical music can be woven into the mainstream, but that sincerity and creativity in music is still possible.

You can find all things Black Violin including their upcoming tour dates, discography, and news here: http://blackviolin.net

Here are some (grainy) photos from when I saw them live for the first time back in 2014. It was truly an unforgettable experience.




If you love Black Violin, please take the time to check out Get Off My Lawn Records- they're a co-op of independent artists pooling their resources to make cool stuff. The label features all sorts of genres, so there's something for everyone! Use discount code ninja1 for 10% off of any purchase.



Thursday, December 21, 2017

So You Want To Own A Record Label: My Interview With Donald W. Mohr

I had the pleasure of doing a Q&A session about what it's like to own your own label with Donald W. Mohr, the founder of Get Off My Lawn Records. Check out his insightful answers below.

TT: So what made you want to start your own record label?
Don: What made me start...
I've been recording myself since I was 15 years old. I think I released my first album on the now-defunct mp3.com which was the predecessor to today's CDBaby or Bandcamp. You could upload mp3s and sell CDs that they made for you and kept most of the sale. I got to the top 10 of the particular sub-genre I was unknowingly mis-classifying my stuff as. I'm from the first generation that first started by recording to hard drive. If you're much older than me, you would have started by recording to 4-track cassette.
Unlike many of my peers at the time, I eventually started co-writing songs with people, rather than trying to start a traditional band, and once I decided that my strengths were not in singing, it became clear that I'd need to find other people with vocal talent. This led to me producing for a friend from college who came out and we produced an EP of attempts at dancehall reggae and I had a friend who was working for qn5.com (QN5 Records) as an engineer and that's probably the first independent record label I had heard of at the time. They had a much nicer setup than me, but they were generally doing the same thing I was doing, so the idea of functioning as a record label started.

TT: What was the first step you took to make that goal a reality?
Don: The very first step I took to make that a reality was I registered the domain of dmusicrecords.com and then proceeded to bask in the glory of "being a record label" until DMusic Group contacted me and offered to buy the URL. Because I hadn't released anything as mp3.com was gone and there were no other apparent CD-on-demand services, I shifted my focus to studying music and production and shortly transferred to Berklee.

TT: What are the pros and cons of owning your own label?
Don: Setting money aside, the real pro is being able to say "no." After Berklee, I moved to Austin and started gigging as a for-hire instrumentalist, arranger, mastering engineer, and producer. I made demos for a lot of people and was charging by the hour or by the project, depending on what it was. I worked with a youth group doing a slam poetry compilation that we recorded in my apartment and scored an independent film, but generally work was slim trying to work out of the apartment and it's unreasonable to ask your neighbors to be quiet to record when you're the guy mixing audio at full volume. This created the need to find an alternative space. I wound up making friends with a guy who was coming out of a local recording trade school (don't go) and was renting a studio with an attached apartment. We teamed up and produced a couple small things, but his lease fell through and I found myself renting an office in a small business incubator, paying rent and creating a serious need to make money immediately. I worked on records I didn't want to work on for ethical reasons. I mastered a record for an actual pimp, and while I found the guy generally cordial and not too weird about paying, it's kind of hard to sleep at night when you know exactly how that money came about, and the music was extremely denigrating towards women. I also got to work with some really great people, including extremely talented female singers. But, it was hard emotionally at times, especially when an artist didn't have sufficient budget to also press and market. The projects I'd do as a lump sum turned into hundreds of hours and the largest budget I ever worked with was $3,000. Most people can't come up with $500 to make their record, and few of those will make that much money in sales. So, because I can only do so many records a year, and because I don't charge to record anymore, I no longer have to take on a project I don't feel 100% good about.

The real con is that every record is a gamble of hundreds of hours of work and actual money. Bring the result to market and if they sell zero copies, you lost not only your time, of which 90% of it is actual work, but also the money it takes to set up digital distribution, registering ISRC codes, buying a URL, doing a run of stickers- the list feels endless.

TT: How did you come up with the name?
Don: I know I told the story about the name on the #GOMLpodcast somewhere.

TT: What is your label's goal?
Don: The goal of the label is to sell enough copies and generate enough money to employ people to help us market and manufacture copies. We set aside $1/disc per sale to employ someone (currently my wonderful wife) to run the duplicator and printer, do the cuts, assembly, and shrink wrap. The process takes 3 minutes ideally, which turns into $15/hr with a 15 minute break every hour. It costs $1 in materials to make the disc, and the rest is an even split amongst the musicians, me, the photographer, and promoter.

TT: Ok, last question: Fans of which bands or artists would be most interested in the music GOML puts out?
Don: I try hard to have a diverse catalog so we have something to offer everyone, regardless of what else you enjoy. Each record is kind of it's own thing. Millicent's record is somewhere in the vein of Tori Amos, Fiona Apple, Alanis Morissette, Bjork, St Vincent, Queen- I'm sure there's more. For Joe Beck is somewhat related to Pat Metheney as it's the same tuning as One Quiet Night, Joe Beck (obviously), Charlie Hunter, and Chet Atkins. I do a tribute to Wes Montgomery on there, too.
Jomo and the Possum Posse I call the Tenacious D of country music. You should ask Jomo (though I don't really know the influences, but I love the result).
Paul Serrato is an old-school new york jazz pianist, so that list is extremely long as well.
#FreeformFridays is jam-bandesque so Medeski Martin and Wood, Phish, Dave Matthews Band, and Lounge Lizards all come to mind.
It's A Secret To Nobody is somewhere between Squarepusher and Daft Punk with me trying to do something in the vein of Deadmau5 and Skrillex with my dubstep bass fun.
At some point the list becomes quite a bit long. 


To keep up with all of Don's projects, visit www.getoffmylawnrecords.com/
And for a 10% discount on all GOML records, enter the code ninja1 when making your purchase:


Wednesday, December 20, 2017

Welcome!

Welcome to my music blog!


I will be regularly posting band interviews, album reviews, and general ramblings about artists worth checking out.

Although I am not limiting myself to any one genre, I will be placing an emphasis on pop punk and metalcore since they are both near and dear to my heart.

Music has always been my passion, and hopefully this blog will help me share my passion with others who also believe in its magic.

Stay tuned for upcoming content!


-TT